撒旦探戈
845
3.0
HD
撒旦探戈
3.0
更新时间:03月30日
主演:米哈伊·维格,普吉·霍瓦特,拉斯洛·费卢戈希
简介:

  “片长七小时却每一分钟皆雷霆万钧,引人入胜。但愿在我有生之年,年年都重看一遍。”——苏珊‧桑塔格开场八分钟的推轨镜头,已道出此片的史诗气魄。牛群从牛棚涌出,摄影机隔着一列破旧的农居追踪,有趣的是牠们一路盲目前冲,一路还试图交配。塔可夫斯基式的画面,却是教人屏息的典型塔尔风格,妙笔一挥预告一个集体农场如何走向灭亡。故事始于传闻已死的骗子重临村子,他要骗走农场收入,却给村民认定是大救星。接着上演一个悲剧,然后是一个讽刺故事。全片十二章的结构正如Krashnahorkai的原著,启发自六步踏前、六步退后的探戈舞,不同视角有时重复同一剧情。农场最终的命运暗喻九十年代初共产主义的破产,同时也是人类共同命运的观照。全片最精彩两段,一是担当叙事者的医生偷偷记录村民活动,他蹒跚买醉的跟镜,成为最感人的观影存在体验。另一段女孩虐猫,亦写下影史上有数的伤感时刻。没有故弄玄虚,一种交代故事的坦率,让演员在真实时间存在,让观众随他们的情态同步呼吸,个中有导演对电影最大的深情与敬意。七个半小时的每个镜头,个个都是不朽──没有想当然的静止,而是自有一种有机的内在节奏。像小津和德莱叶,塔尔深谙长镜头的真谛。这是必须去经历的,一生难逢的观影经验aaa

384
1994
撒旦探戈
主演:米哈伊·维格,普吉·霍瓦特,拉斯洛·费卢戈希
切·格瓦拉传:游击队
844
4.0
HD
切·格瓦拉传:游击队
4.0
更新时间:04月26日 21:06
主演:本尼西奥·德尔·托罗,卡洛斯·巴登,德米安·比齐尔,乔昆姆·德·阿尔梅达,马克-安德烈·格隆丁,罗德里戈·桑托罗,弗朗卡·波滕特,卡塔琳娜·桑地诺·莫雷诺,马特·达蒙
简介:  1959年,切•格瓦拉(Benicio Del Toro本尼西奥•德尔•托罗 饰)与菲德尔•卡斯特罗(Rodrigo Santoro 罗德里格•桑托罗 饰)率领的游击队组织“七二六运动”终于推翻巴蒂斯塔政权,在古巴建立了新政府。然随着时间的推移,切和菲德尔在治国理念上逐渐发生分歧,最终他辞去政府中的要职,并放弃家庭和古巴公民的身份,再次投入解放第三世界的战争中去。
  几经辗转,切来到玻利维亚,与玻利维亚全国解放军共同展开游击队革命运动。玻利维亚总统René Barrientos(Joaquim de Almeida 饰)得知切的到来,决定不惜一切代价消灭这个令人头痛的革命者……
  为了详尽真实再现革命家切•格瓦拉的革命岁月,美国好莱坞著名导演史蒂芬•索德伯格(Steven Soderbergh)用了4个小时来描绘这位传奇英雄。最终按照院线的需要,影片被分作两部分上映。本片荣获2008年戛纳电影节最佳男主角奖,并获得金棕榈奖提名。
1132
2008
切·格瓦拉传:游击队
主演:本尼西奥·德尔·托罗,卡洛斯·巴登,德米安·比齐尔,乔昆姆·德·阿尔梅达,马克-安德烈·格隆丁,罗德里戈·桑托罗,弗朗卡·波滕特,卡塔琳娜·桑地诺·莫雷诺,马特·达蒙
欧洲的某个地方
842
3.0
DVD
欧洲的某个地方
3.0
更新时间:03月31日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:

  Somewhereintheremoteregion,thewarends.Inthemidstofruinedcitiesandhousesinthestreets,inruralhamlets,everywherewherepeoplestilllive,arechildrenwhohavelosttheirhomesandparents.Abandoned,hungry,andinrags,defenselessandhumiliated,theywanderthroughtheworld.Hungerdrivesthem.Littlestreamsoforphansmergeintoariverwhichrushesforwardandsubmergeseverythinginitspath.Thechildrendonotknowanyfeeling;theyknowonlytheworldoftheirenemies.Theyfight,steal,struggleforamouthfuloffood,andviolenceismerelyameanstogetit.AgangledbyCahounfindsarefugeinanabandonedcastleandencountersanoldcomposerwhohasvoluntarilyretiredintosolitudefromaworldofhatred,treason,andcrime.Howcantheyfindacommonground,howcantheybecomemutualfriends?Thecastlebecomestheirhidingplacebutpossiblyitwillalsobetheirfirsthomewhichtheymayorganizeandmustdefend.Butevenforthis,thepricewillbeveryhighaaa
  Tothissimplestory,thejournalist,writer,poet,scriptwriter,moviedirector,andfilmtheoreticianBélaBalázsappliedmanyyearsofexperience.HeandthedirectorGézaRadványicreatedaworkwhichopenedanewpostwarchapterinHungarianfilm.Surprisingly,thisfilmhasnotlostanyofitsimpactovertheyears,especiallyonaprofoundphilosophicallevel.Thatistosay,itisnotmerelyamovieaboutwar;itisnotimportantinwhatlocationandinwhatperiodoftimeittakesplace.Itisastoryoutsideoftimeaboutthejoylessfateofchildrenwhopaydearlyforthecruelwargamesofadults.
  Atthetimeitwaspremiered,themoviewasenthusiasticallyreceivedbythecritics.Themainrolesweretakenbystreetwiseboysofachildren'sgroupwhocreatedtheirrolesimprovisationallyinclosecontactwithafewprofessionalactors,andinthechildren'sactingtheirownfreshexperienceofwar'sturmoilappearstobereflected.Atthesametime,theirperformancefitsadmirablyintothemosaicofaverycomplexmovielanguage.Balázs'sinfluencerevealeditself,aboveall,intheintroductorysequences:anairraidonanamusementpark,seeninamontageofdramaticsituationsevokingthelastspasmsofwar,where,undoubtedly,wediscerntheinfluenceofclassicalSovietcinematography.Shooting,theboy'sescape,thelocomotive'swheels,theshadowsofsoldierswithsubmachineguns,thesoundofawhistle—theimagesarelinkedtogetherinabruptsequencesinwhichvaryingshotsandexpressivesharpsoundsareemphasized.Aperfectlyplannedscreenplayavoidedallelementsofsentimentality,time-wornstereotypesofwrongedchildren,romanticismandcheapsimplification.Theauthorssucceededinbridgingtheperilousdramaticabyssofthemetamorphosisofachildren'scommunity.Theirtellingofthestory(thesceneofpillaging,theassaultonthecastle,etc)independentlyintroducedsomeneorealistelementswhich,atthattime,werebeingpropagatedinItalybyDeSica,Rossellini,andotherfilmartists.Therebukesofcontemporarycritics,whocalledattentionto"formalismforitsownsake"havebeenforgotten.ThemasterlyartofcameramanBarnabásHegyigivesvitalitytothepoeticimages.Hisangleshotsofthechildren,hiscompositionofscenesinthecastleinterior,arealivingdocumentofthetimes,andunderlinetheatmosphereandthecharactersoftheprotagonists.ThesuccessofthepicturewasalsoenhancedbythemusicalartofcomposerDénesBudaywho,intensesituations,insertedthethemeoftheMarseilaiseintothemovie'sstructure,asamotiveofcommunityunification,asanexpressionoffriendshipandthepossibilityofunderstanding.
  ValaholEuropabanisthefirstsignificantpostwarHungarianfilm.Itoriginatedinarelaxedatmosphere,repletewithjoyandeuphoria,anditincludestheseelementsinordertodemonstratethestrengthofhumanism,tolerance,andfriendship.Itrepresentsageneralcondemnationofwaranywhereintheworld,inanyform.

2202
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
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