年近而立的金光（高晓攀 饰）一直靠父母养活，绝望之下自杀未果，再找工作屡遭挫折，好不容易认识一心仪女孩小麦（张杨果而 饰），结果反而弄巧成拙。万般无奈之下，他尊从父母之命参加相亲，最终以败北告终。金光把一切原因归罪于父母，父亲（由力 饰）也因金光的事突发脑出血住院，这时的金光如梦方醒，感觉自已太不懂事了。小麦帮他找了一份超市收银员的工作，金光总算脱离了啃老的行列。工作后的金光再次向小麦表达爱意，不料小麦告诉他自已早已结婚，金光听后很是失落。这时突接小麦电话求助，她丈夫逃逸中遭遇车祸急需输血，而金光父子的稀有血型救了她丈夫的命......

医生路易斯（Dale Midkiff 饰）因工作关系，携妻子瑞秋（Denise Crosby 饰）、女儿艾莉和儿子普吉离开芝加哥搬到了某小镇中，新家近傍公路，屋后有一条蜿蜒小路。邻居杰德（Fred G...

艾比（凯瑟琳·海格尔 Katherine Heigl 饰）是同事眼中的完美女神，作为早间电视节目制作人的她不仅事业有成，而且还有着一张精致漂亮的脸蛋。但令同事们困扰的是，这样完美的艾比，年近三十却依然...

可爱搞怪的小生（郝绍文 饰）因受不了父亲娶了新妻子而责骂自己，便离家出走。一路游荡，接着小生认识了校工达叔（吴孟达 饰），纠缠达叔收留他。达叔一直喜欢一个卖花的盲女（朱茵 饰），并假装有钱人天天在她的花摊买花，希望尽绵力帮忙她。达叔所任职的学校有一群顽劣的学生，没有老师能够把他们教好，校长只好悬赏50万聘请老师。达叔知道盲女的手术费正好是50万，面对顽劣的学生，达叔决定跟小生一起到乌龙寺学艺。学成归来的达叔果然把学生教的十分守规矩。但为了让学生阿武（金城武 饰）在情敌面前出口气，帮阿武催眠打架，达叔被学校赶走了。小生出主意到自己家里偷出50万，可惜失败了，为了使达叔能逃走，小生被父亲抓住……

故事发生在解放前的南方地区，这里生长着五位快乐活泼的少女，但她们逐渐认识到身为女人的悲哀。明桃（沈蓉 饰）被后娘许配给一个肺痨鬼，身不由己；爱月（陶慧敏 饰）眼见奶奶八十寿辰，却不被允许上桌吃饭；荷香..ccc

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　　比尔（罗伯特·瑞安RobertRyan饰）是一名职业拳击手，他和女友朱莉（奥黛丽·托特AudreyTotter饰）之间的感情十分要好，朱莉是他在比赛中的精神支柱。时常生活在窘困之中的比尔好胜心非常的强，因为输掉比赛意味着他将颗粒无收，所以他必须赢eee
　　在一场比赛中，比尔的对手是名为奈尔森（哈尔·贝勒HalBaylor饰）的强壮男子，在比赛之前，教练告诉比尔，这是一场被黑道操纵的比赛，在擂台上，比尔必须认输。然而，在激烈的比赛之中，处于劣势的比尔不愿屈服与黑帮的强权，最终靠着惊人的实力达到了奈尔森。比尔虽然赢得了比赛，却惹恼了一直在背地里操纵着比赛的黑帮。

　　In1961,StanislawRozewiczcreatedthenovellafilm"BirthCertificate"incooperationwithhisbrother,TadueszRozewiczasscreenwriter.Suchbrothertandemsarerareinthehistoryoffilmbutasidefromfamilyties,Stanislaw(bornin1924)andTaduesz(bornin1921)weremutuallyboundbytheirloveforthecinema.TheywerebornandgrewupinRadomsk,asmalltownwhichhad"itsmadmenanditssaints"andmostimportanly,the"Kinema"cinema,asStanislawrecalls:forhimcinemais"heaven,thewholeworld,enchantment".Tadeuszsaysheconsiderscinemabothacharmingmarketstallandamysterioustemple."Allthissavagelandhasalwaysattractedandfascinatedme,"hesays."IamdevouredbycinemaandIdevourcinema;I'macinemaeater."ButTadueszRozewicz,aneminentwriter,admitsthisuniqueformofcooperationwasaproblemtohim:"Itisthepresenceoftheotherpersonnotonlyintheprocessofwriting,butatitsverycore,whichisinserperableformefromabsolutesolitude."Somescenesthebrotherswrotetogether;otherswerecreatedbythewriterhimself,followingdiscussionswiththedirector.Butfromtheperspectiveoftime,itis"BirthCertificate",ratherthan"Echo"or"TheWickedGate",thatTadueszdescribesashismostintimatefilm.Thisisunderstandable.ThetradgeyfromSeptember1939inPolandwasfortheRozewiczbrotherstheirpersonal"birthcertificate".Whenworkingonthefilm,thedirectorsaid"Thistimeitisallaboutshakingoff,gettingridofthepsychologicalburdenwhichthewarwasforallofus....Cooperationwithmybrotherwasinthiscaseeasier,aswesharemanywarmemories.Wewantedtoshowtoadultviewersapictureofwarasseenbyachild....Inreality,itistheadultswhocreatedtherealworldofmassacres.Childrenbeheldthehorrorscomingbacktolife,exhumedfromunderneaththeground,overwhelmingtheearth."ccc
　　Theprincipleofcompositionof"BirthCertificate"isnotobvious.Whenwatchinganovellafilm,wetendtothinkintermsoftraditionaltheatre.Weexpectthataminiaturestorywillfinishwithasharppoint;thethreefilmnovellasinRozewicz'sworklackthisfeature.Wedonotknowwhatwillbehappentotheboymakinghisalonethroughtheforesttowardstheendof"OntheRoad".Wedonotknowwhetherin"LetterfromtheCamp",thehelpofferedbythesmallheroestoaSovietprisonerwillrescuehimfromtheunknownfateofhiscompatriots.ThefateoftheJewishgirlfrom"DropofBlood"isalsounclear.Willshekeephernewimpersonationas"MarysiaMalinowska"?OrwilltheNazismakeherintoarepresentativeofthe"Nordicrace"?Thosequestionswereaskedbythedirectorforareason.Hepreceivedwaraschaosandperdition,andnotaslinearhistorythatcouldbereflectedinaplot.Although"BirthCertificate"issaturatedwithmoralcontent,itdoesnotaimtobeamoralityplay.Butwiththeimmensepressureofreality,novarientoffateshouldbeexcluded.ThisapproachedcanbecomparedwthKrzysztofKieslowski's"BlindChance"25yearslater,whichpictureddramaticchoicesofadifferentera.
　　Thefilmnovella"OntheRoad"hasaverysparingplot,butitdrewspecialattentionofthereviewers.TheominatingovertoneofthewarfilmscreatedbythePolishFilmSchoolatthattimeshouldbekeptinmind.MainlyowingtoWajda,thosefilmsdealtwithromanticheritage.Theywerepermeatedwithpathos,bitterness,andirony.Rozewiczisanextraordinaryartist.Whennarratingastoryaboutaboylostinawarzone,carryingsomedocumentsfromtheregimentofficeasiftheywereatreasure,thenarratorin"OntheRoad"discoversroughprosewhereoneshouldfindpoetry.Andsuddenly,theirrationaltouchesthisrathertameworld.Theboy,whountilthatmomentresembledaPolishversionoftheGoodSoldierSchweik,setsoff,likeDonQuixote,forhisfirstandlastbattle.Acriticdescribeditas"anabsurdgestureandsomeoneelsecouldsurelyuseittocriticisethePolishstyleofdying....ButtheRozewiczbrothersdonoaccuse:theyonlycomposeanelegyforthepicturesquepeasant-soldier,probablythemostimportantveteranofthePolishwarof1939-1945.""BirthCertificate"isnotaloftystatementaboutnationalimponderabilia.ThefilmrevealsaplebeianperspectivewhichAleksanderJackieqiczoncecontrastedwiththose"lyricallamentations"inherentintheKordiantradition.However,ahistoricaloverviewofRozewicz'sworkshowsthatthedistinctivestyledoesnotsignifyafundamentaldifferenceinillustratingthePolishSeptember.JustasthememorablescenefromWajda's"Lotna"wasinfactanexpressionofdesperationanddistress,thesameemotionspermeatethefinalsceneof"BirthCertificate".Thesearenotideologicalconcepts,thoughoncedescribedassuchandferventlydebated,butratherpsychologicalcreations.Inthisspecificcase,observesWitoldZalewski,itisnotaboutmanifestingknightlypride,butaboutagestureofasimplemanwhodoesnotagreetobeenslaved.
　　Thenovella"DropofBlood"is,withAleksanderFord's"BorderStreet",oneofthefirstnarrationsofthefateofthePolishJewsduringtheNazioccupation.Thestoryaboutagirlliterallylookingforherplaceonearthhasadramaticdimension.Especiallyintheageoftoday'sjournalisticdisputes,oftenmanipulative,lackinginempathyandimbuedwithbadwill,Rozewicz'sstoryfromthepastshockswithitsauthenticity.ThesmallherioneofthestoryistheonlyonewhosurvivesaGermanraidonherfamilyhome.Physicalsurvialdoesnot,however,meanareturntonormality.Herfrighteneddeparturefromtherubbishdumpthatwasherhideoutleadhertoaruinedapartment.Herwalkarounditispainfulbecausestillfreshsignsoflifearemixedwithevidenceofannihilation.Helpisneeded,butMirkadoesnotknowanyoneintheoutsideworld.Hersubsequentattemptsexpressthestateofthefugitive'sspirits-fromhopeandfaith,movingtodoubt,asenseofoppression,andthickeningfear,andfinallytodespair.
　　Atthesametime,theJewishgirl'ssearchforrefugeresemblesthestateofPolishsociety.TheappearanceofMirkaresultsinconfusion,andlater,trouble.ThiswasalreadysignalledbyRozewiczinanexceptionalscenefrom"LetterfromtheCamp"inwhichtheboy'sneighbour,seeingafugitiveRussiansoldier,retreatsimmediately,admittingthat"Now,peopleworryonlyaboutthemselves."Suchembarassingexcusesmaskfear.Duringtheoccupation,noonefeelssafe.Neithersocialstatusnottheaegisofacharityorganisationprotectsagainstrepression.WeseethepotentialguardiansofMirkapassingherbackandforthamongthemselves.Thesearefriendlyhandsbuttheycannotofferstrongsupport.Thestorytakesplaceonthatthinlinebetweensolidarityandheroism.Solidarityarisesspontaneously,butonlysomearecapableofheroism.Helpforthegirldoesnotalwaysresultfromcompassion;sometimesitisbasedonpastrelationsandpersonalties(aneighbourofthedoctortakesinthefugitiveforafewdaysbecauseofpastfriendship).Rozewiczportraysallofthisinasubtleway;eventhesmallestgesturehassignificance.Take,forexample,theconversationwithastrangeronthetrain:short,asifjotteddownonthemargin,butsofulloftension.Andearlier,apeculiarexaminationofPolishness:the"HolyFather"prayerforcedonMirkabythevillageboystocheckthatsheisnotaJew.Wouldnotrisingtothechallengemeanadeathsentance?
　　Viewedaftermanyyears,"BirthCertificate"disclosesyetanotherqualitythatisnotpresentintheworksofthePolishSchool,butisprominentinlaterB-classwarfilms.Thisisthepictureofeverydaylifeduringthewarandoccupationoutlinedinthethreenovellas.Itharmoniseswiththelogicofspeakingabout"lifeafterlife".SmallheroesofRozewiczsuddenlyentertherealityofwar,withnoexperienceorscalewithwhichtocompareit.Forthem,thepresentisanaturalextensionofandatthesametimeacompletenegationofthepast.Considerthesleeysmall-townmarketplace,throughwhicharmouredcolumnswillshortlypass.OrmeettheGermanmotorcyclists,wholooklikealiensfromouterspace-apicturetakenfromanautopsybecausethisishowStanislawandTadueszperceivedthefirstGermanstheyevermet.Notetheblurredsilhouettesofpeopleagainstawhitewallwhoarebeingshot-atfirsttheyareshocking,butsoontheywillprobablybecomeapartofthegrimlandscape.Inthecitycentrestandsaprisonercamponasoddenbog("Peopleperishlikesflies;thebodiesaretransportedduringthenight");inthestreetthechildernarerunningafteracoalwagontocollectsomepreciouspiecesoffuel.There'sabustlearoundsomefood(aboyreproacheshisyoungerbrother'sactionsbysinging:"Thewarrantofficer'ssonisbegginginfrontofthechurch?I'mgoingtotellmother!");andthekitchen,whichoneeveningbecomestheprosceniumofarealdrama.Andtherearethesymbols:abarofchocolateforceduponaboybyaWehrmachtsoldier("OntheRoad");apairofshoesbelongingtoZbyszek'sfatherwhichtheboyspontaneouslygivestoaRussianfugitive;apricelesssliceofbread,ground undertheheelofapolicemanintheguter("LettersfromtheCamp").Asthedirectorputit:"Ineveryfilm,Icommunicatemyownvisionoftheworldandofthepeople.Onlythenthestylefollows,thedefinedwayofexperiencingthings."InBirthCertificate,headds,hisapproachwasdrivenbythesubject:"Iattemptedtocreatenotonlythetextureofthedocumentbutalsotoaddsomepoeticelement.Iknowitisriskybutasforthemergerofdocumentationandpoety,oftenhiddenverydeep,ifonlyitmanagestomakeitswayontothescreen,itresultsinwhatcanreferredtoas'art'."
　　After1945,therewerenumerousfilmscreatedinEuropethatdealtwithwarandchildren,including"SomewhereinEurope"("ValaholEuropaban",1947byGezaRadvanyi),"Shoeshine"("Sciescia",1946byVittoriodeSica),and"ChildhoodofIvan"("Iwanowodietstwo"byAndriejTarkowski).Yettherewerefewerthanonewouldexpect.Pursuingasubjectsoimbuedwithsentimentalismrequiresstylisticdisiplineandaspecialabilitytomanagechildactors.Theauthorof"BirthCertificate"masteredboth-anditwasnotbychance.StanislawRozewiczwasalwaysthebeneficentspiritofthefilmmilieu;hecouldunitepeoplearoundacommongoal.Heemanatedpeaceandsensitivity,whichflowedtohisco-workersandpupils.Afilm,beingagroupwork,necessitatessomeformofempathy-tuninginwithothers.
　　InabiographicaldocumentaryaboutStanislawRozewiczentitled"Walking,Meeting"(1999byAntoniKrauze),thereisabeautifulscenewhenthedirector,afterafewdecades,meetsBeataBarszczewska,whoplaysMireczkainthenovella"DropsofBlood".Thewomanfallsintothearmsoftheelderlyman.Theyarebothmoved.Hewondershowmanyyearshavepassed.Sheanswers:"Afewyears.Nottoomany."AndRozewicz,withhischaracteristicsmilesays:"Itistrue.Wespentthisentiretimetogether."

香港长洲岛是个小地方，人们生于斯长于斯，没有太大抱负也能享受安逸生活。但是偏偏出了个死心眼的“长洲美少女”罗娇（钟欣桐 饰），为了报情敌的一巴掌之仇，决心拉上几个好姐妹参加“出水芙蓉”4x100游泳接...

十六世纪末，东场西场在朝廷上争权的斗争日趋白热，组建“大同契”抵御外敌的于历卷入其中，因谋逆罪被处以极刑，大同契一案的幕后主使韩申均有庶子韩坚子（白成铉 饰），韩坚子在韩家毫无地位可言，他一次次用暴力..eee

女大学生圣山环菜在主播面试之后，刺杀了身为知名画家的父亲。因为她的外貌姣好，加上被逮捕后抛下的一句：「你们自己去查出我的杀人动机。」使得媒体不断渲染报导，为何前途光明的女儿会杀害了父亲？为何连她自己都..aaa

　　本片设定在东京的一晚，一名时运耗尽的拳击名手利奥(洼田正孝饰)遇到了他的初恋莫妮卡(小西樱子饰)。莫妮卡是一名吸毒的应召女郎，但她依旧很天真。莫妮卡不知不觉陷入毒品走私计划之中，两人在这晚被腐败的警察、黑帮、利奥的对手以及三合会派来的女杀手追杀ccc

　　我的「青春」似乎比别人稍微漫长，因为从某天开始，除了我之外，周围的时间全都停止了。下午1点35分，每天固定造访的伤停补时，限时1小时。在这段时间裡aaa
　　我爱上了和我看著相同景色的她──篠宫时音，琥珀色眼瞳带着不可思议魅力的少女。但她身上似乎有个「唯独我」没有发现的重大秘密……

　　杰米（曼迪·摩尔MandyMoore饰）是一个学习优秀长相平凡的女生，身为牧师女儿的她信仰坚定，不为人所影响。兰顿（夏恩·韦斯特ShaneWest饰）是典型的坏学生，不爱学习，吊儿郎当，瞧不起另类清高的杰米aaa
　　因为一个过火的恶作剧，兰顿被罚到附属学校去做家教，并且要在一个舞台剧中扮演谦卑角色，而剧中的女主角正是他甚无好感的杰米。杰米对排练的投入渐渐感染了初到剧团的兰顿，兰顿开始投入角色，并对杰米有了改观。然而自信的杰米竟要兰顿立下约誓言，要他一定不能爱上自己。
　　排练的日子相处磨合，男生女生间的感情还是悄悄滋长了。然而杰米却无法接受这个事实。面前这个不思进取的坏学生，怎么可能成为自己的恋人……

1997年，高三班花董啾啾（张含韵 饰）外表是懂事乖乖女，内心却叛逆乖张。她的好姐妹韩霞非常喜欢时装设计，平日里心直口快、敢做敢为，却因为魁梧的身材、平凡的外表和爷们儿的性格经常受到周围男生的嘲笑。忧...

伴着朋友和家族企业，夏天对阿诺来说平静安宁……直到他结识了美丽的女汉子玛德莱纳，结实的大块肌肉及令人烦恼的预测。他什么也不期望；她却做好了最坏的打算。他要跟着她走到多远，她都没有要求eee

　　Netflix原创电影，描述来自布鲁克林的青少女住在寄养家庭多年的经验使她变得更加坚强。她知道若要回到疏远的父亲身边，唯一的方法就是与男子展开摔bbb

获得第24届圣丹斯电影节剧情片类评委会大奖的《雷管》，讲述的是四位合作者出于兴趣发明了一台查错仪器，却意外地发现这台仪器拥有强大的商业价值，最终四人相互争斗的局面。《雷管》是导演什恩-卡鲁斯(Shan...

热衷于观察星空的日本青年弓削大辅（山田孝之 饰），在夏威夷盘桓期间干着兼职导游的工作。利用工作之便，这个花花心肠的男子恣意游走花丛，乐在其中。某天，他在一家餐厅邂逅了美丽女孩藤岛瑠依（长泽雅美 饰）。..eee

　　父亲（克里斯托弗•普卢默ChristopherPlummer饰）的离世给奥利弗（伊万•麦克格雷格EwanMcGregor饰）造成了很深的影响。工作上出现瓶颈，对人际交流感到疲惫，遇到心仪的姑娘也无法放开束缚。在父亲不在的日子里，总会不时的回想起开始发生变化的那一天。母亲去世后的某一日，父亲把奥利弗招到跟前，跟他说了两件事。一是他得了癌症；二是他宣布出柜了。奥利弗起初吃惊不已，难以承受。但在父亲治疗的过程中，看到他和他的同性恋人相处融洽，看到父亲重新绽放活力和生机，奥利弗的心也在慢慢得到治愈。父亲虽已离去，但其影响仍在，尤其是对奥利弗处世态度的影响和改变。这些指引着当下的他变得勇敢，在人与人相处的过程中，所有人都只是初学者而已ccc
　　影片改编自导演和其父亲的真实故事。饰演父亲一角的克里斯托弗•普卢默获得了第69届金球奖最佳男配角奖以及第84届奥斯卡最佳男配角奖。

上世纪90年代，刑警钟诚受命追捕悍匪集团“老鹰帮”。这群悍匪犯下惊天连环劫案，训练有素且纪律严明，首领张隼更屡次恶意挑衅，矛头直指钟诚。为将“老鹰帮”捉拿归案，钟诚带领刑警小队咬死不放，誓与恶势力斗争到底。数年间，警匪上演了一次次紧张刺激的较量，悍匪愈加猖獗，警方步步逼近，双方展开殊死对决……

《除暴安良》据上世纪70年代同名英国热播电视剧改编，讲述两名警官杰克和乔治合作打击犯罪的故事。影片大量运用特技效果，营造出一轮又一轮的枪战和飙车戏，视觉冲击力极为震撼。影片的两位核心主角分别由雷·温斯顿和本·德鲁饰演。雷·温斯顿是英国著名的老牌演技派影星，《贝奥武夫》和《雷普利的游戏》等片都是其代表作。本·德鲁这名字虽听着有些陌生，但说到艺名Plan B，很多乐迷就会恍然大悟，他正是英国最当红的饶舌歌手之一。对自己“唱而优则演”，他表示要多向“老戏骨”雷·温斯顿学习：“我是温斯顿的忠实粉丝。他演的《人渣》和《性感野兽》都是我喜欢的。ccc

改编自小松重男的小说《 蚤とり侍》，阿部宽饰演的武士因得罪了藩主而被流放为打着除猫蚤的名号实则向女顾客卖“肉”的“工口武士”小林宽之进。第一个客人小峯（寺岛忍饰）神似其亡妻，谁知才几分钟就被骂床技差，于是他下定决心磨炼起了床笫之术。丰川悦司饰演传授主人公取悦女性之道的妻管严的清兵 卫，前田敦子饰演清兵卫的妻子。斎藤工饰演阿部宽的邻居清贫却免费教书的私塾教师佐伯友之介