BasedonthenovelbyKarelCapek,theprominentCzechwriteroftheearly20thcenturywhocoinedthewordrobotforhisplayR.U.R.,thestoryrevolvesaroundadiscoveryofKrakatit-apowerfulexplosive-byProkop,anexperimentalscientistwho,followinganaccidentalexplosioninhislab,slipsinandoutofdelirium.Whenherealisesthat,inadeliriousperiod,hehasgiventheformulaformakingKrakatittooneofhiscolleagues,hetriestofindtheman,whodoesnotrealizehowdangerousathingKrakatitis.Intheprocess,henearlygiveshisdiscoveryawayagaintoforeigninterests,agroupofanarchists,andevengreaterforcesofdarkness..bbb

　　莱昂纳（芭芭拉·斯坦威克BarbaraStanwyck饰）是衔着金汤匙出生的富家千金，因为她的神经非常的脆弱纤细，导致她只能整日卧病在床，和外界唯一的联系就是一台电话。这一天，莱昂纳的丈夫亨利（伯特·兰卡斯特BurtLancaster饰）迟迟没有到家，于是莱昂纳想要打个电话到亨利的办公室里找他。哪知道电话串了线，莱昂纳听到电话那头的两个陌生男人正在谋划如何杀害一个无辜的女人ccc
　　又惊又怕的莱昂纳决定拯救这个女人的性命，于是她拿起了自己唯一的武器——电话。然而，当莱昂纳打电话将自己的所见所闻告诉警察时，却并没有人愿意相信她。更糟的是，两名凶手似乎也知道了莱昂纳的存在。

　　故事发生在十九世纪的俄罗斯，身为高官卡列宁（拉尔夫·理查德森RalphRichardson饰）的妻子，安娜（费雯·丽VivienLeigh饰）却在一次偶然中和伯爵沃伦斯基（基隆·摩尔KieronMoore饰）坠入了情网，一心追逐内心感情的安娜不顾伦理道德的约束，开始了与沃伦斯基的同居生活。尽管安娜百般要求，但卡列宁依然拒绝了她的离婚请求，不仅如此，卡列宁还从安娜身边夺走了她心爱的儿子，禁止她们见面eee
　　不久之后，安娜怀孕了，而噩梦也就此开始，流产、酗酒、药物依赖，接连而来的打击让安娜坠入了人生的谷底，但真正令安娜崩溃的，却是沃伦斯基对她日益冷淡的态度。最终，在沃伦斯基的背叛和社会舆论的压力之下，走投无路的安娜在铁轨下结束了她年轻的生命。

　　Jefty,ownerofaroadhouseinabackwoodstown,hiressultry,tough-talkingtorchsingerLilyStevensagainsttheadviceofhismanagerPeteMorgan.JeftyissmittenwithLily,whointurnexertshercharmsonthemoreresistantPete.WhenPetefinallyfallsforherandsheturnsdownJefty'smarriageproposal,theymustfaceJefty'smurderousjealousyandhistwistedplotsto"punish"thetwoeee

　　IndecisiveheiressDeeDeeDillwoodispushedintomarryinghersixthfiancée,butunabletofacetheweddingnight,shefleesintotheadjacenthotelroomofcommercialpilotMarvinPayne,whojustwantstosleep.Somehow,shepersuadeshimtotakehertoCalifornia.Herfellowpassengersincludeachimpanzee,acorpse(inacoffin),anabscondingembezzler,andtwosmoochynewlyweds.Canlovebefarbehindeee

　　在外人看来，拉塞尔一家是完美的模范家庭，家境富裕，夫妻和睦，儿女出色，几乎毫无任何缺点，然而身为女家长的西尔维娅·拉塞尔（SoniaDresdel）实际是一个冷酷无情、渴望权力、控制欲爆棚的女人，她想尽各种办法将自己的丈夫亚瑟（WalterFitzgerald）、儿子特里（EmrysJones）以及女儿费内拉（BarbaraWhite）玩弄于鼓掌之中。她因为不满意丈夫的平庸无能，使尽各种手段不着痕迹地羞辱丈夫，并且摧毁丈夫所有的心爱之物。由于不满女儿不经她的许可就嫁给瓦伦廷·克里斯蒂医生（ScottForbes），她怂恿自己家的年轻女仆艾菲（CeliaLipton）去勾引女婿，以达到破坏女儿婚姻的目的。特里是全家唯一一个察觉到母亲的蹊跷之处的人，他虽想要保护自己的妹妹和父亲，却未料到母亲的狠毒程度远超他的想象bbb

　　JohnForbesisafamilymanwho'stiredofthe9to5humdrumofhisjobaninsurancecompanyexecutive.LifegetsalittlemoreexcitingforhimwhenhecallsuponfemmefataleMonaStevens.HerboyfriendhasembezzledfromastoreinsuredbyForbes'companyandhasshoweredherwithgiftsusingtheloot.Forbescomestocollecttheill-gottengifts,buttheboyfriendisinjail,andForbesfallshardforMonaandbeginsanaffair.TheonlyproblemisthatMacDonald,aprivatedickwhofreelancesfortheinsurancecompany,hashadhiseyesonMonafirst.TheobsessedMacDonaldturnsthesoon-to-be-releasedboyfriendagainstForbesaaa

　　Astoldtoapsychiatrist:Mr.Peabody,middle-agedBostonianonvacationwithhiswifeintheCaribbean,hearsmysterious,wordlesssingingonanuninhabitedrockinthebay.Fishinginthevicinity,hecatches...amermaid.Hetakesherhomeand,thoughshehasnospokenlanguage,fallsinlovewithher.Ofcourse,hiswifewon'tbelievethatthinginthebathtubisanythingbutalargefish.Predictablecomplicationsfollowinrathertamefashionaaa

　　Somewhereintheremoteregion,thewarends.Inthemidstofruinedcitiesandhousesinthestreets,inruralhamlets,everywherewherepeoplestilllive,arechildrenwhohavelosttheirhomesandparents.Abandoned,hungry,andinrags,defenselessandhumiliated,theywanderthroughtheworld.Hungerdrivesthem.Littlestreamsoforphansmergeintoariverwhichrushesforwardandsubmergeseverythinginitspath.Thechildrendonotknowanyfeeling;theyknowonlytheworldoftheirenemies.Theyfight,steal,struggleforamouthfuloffood,andviolenceismerelyameanstogetit.AgangledbyCahounfindsarefugeinanabandonedcastleandencountersanoldcomposerwhohasvoluntarilyretiredintosolitudefromaworldofhatred,treason,andcrime.Howcantheyfindacommonground,howcantheybecomemutualfriends?Thecastlebecomestheirhidingplacebutpossiblyitwillalsobetheirfirsthomewhichtheymayorganizeandmustdefend.Butevenforthis,thepricewillbeveryhighaaa
　　Tothissimplestory,thejournalist,writer,poet,scriptwriter,moviedirector,andfilmtheoreticianBélaBalázsappliedmanyyearsofexperience.HeandthedirectorGézaRadványicreatedaworkwhichopenedanewpostwarchapterinHungarianfilm.Surprisingly,thisfilmhasnotlostanyofitsimpactovertheyears,especiallyonaprofoundphilosophicallevel.Thatistosay,itisnotmerelyamovieaboutwar;itisnotimportantinwhatlocationandinwhatperiodoftimeittakesplace.Itisastoryoutsideoftimeaboutthejoylessfateofchildrenwhopaydearlyforthecruelwargamesofadults.
　　Atthetimeitwaspremiered,themoviewasenthusiasticallyreceivedbythecritics.Themainrolesweretakenbystreetwiseboysofachildren'sgroupwhocreatedtheirrolesimprovisationallyinclosecontactwithafewprofessionalactors,andinthechildren'sactingtheirownfreshexperienceofwar'sturmoilappearstobereflected.Atthesametime,theirperformancefitsadmirablyintothemosaicofaverycomplexmovielanguage.Balázs'sinfluencerevealeditself,aboveall,intheintroductorysequences:anairraidonanamusementpark,seeninamontageofdramaticsituationsevokingthelastspasmsofwar,where,undoubtedly,wediscerntheinfluenceofclassicalSovietcinematography.Shooting,theboy'sescape,thelocomotive'swheels,theshadowsofsoldierswithsubmachineguns,thesoundofawhistle—theimagesarelinkedtogetherinabruptsequencesinwhichvaryingshotsandexpressivesharpsoundsareemphasized.Aperfectlyplannedscreenplayavoidedallelementsofsentimentality,time-wornstereotypesofwrongedchildren,romanticismandcheapsimplification.Theauthorssucceededinbridgingtheperilousdramaticabyssofthemetamorphosisofachildren'scommunity.Theirtellingofthestory(thesceneofpillaging,theassaultonthecastle,etc)independentlyintroducedsomeneorealistelementswhich,atthattime,werebeingpropagatedinItalybyDeSica,Rossellini,andotherfilmartists.Therebukesofcontemporarycritics,whocalledattentionto"formalismforitsownsake"havebeenforgotten.ThemasterlyartofcameramanBarnabásHegyigivesvitalitytothepoeticimages.Hisangleshotsofthechildren,hiscompositionofscenesinthecastleinterior,arealivingdocumentofthetimes,andunderlinetheatmosphereandthecharactersoftheprotagonists.ThesuccessofthepicturewasalsoenhancedbythemusicalartofcomposerDénesBudaywho,intensesituations,insertedthethemeoftheMarseilaiseintothemovie'sstructure,asamotiveofcommunityunification,asanexpressionoffriendshipandthepossibilityofunderstanding.
　　ValaholEuropabanisthefirstsignificantpostwarHungarianfilm.Itoriginatedinarelaxedatmosphere,repletewithjoyandeuphoria,anditincludestheseelementsinordertodemonstratethestrengthofhumanism,tolerance,andfriendship.Itrepresentsageneralcondemnationofwaranywhereintheworld,inanyform.

　　LooselybasedonKathrynForbes'book-Mama'sBankAccount-,thisfilmactuallycontainsricherdetailandmoreintricatecharacter-izations.Inturn-of-the-centurySanFrancisco,youngKatrinaHansenchroniclesepisodesoflifewithherextendedfamily,whocombinetraditionalNorwegianvalueswith"modern"Americanways.Sosuccessfulthatitbecameapopularradioshow,andthenaTVsitcom,bothwithBarbaraBelGeddesandIreneDunnefromthefilmeee

　　JohnMuller,medicalschooldropoutandbrilliantcrook,plansaholdupwhichgoesalittlebitwrong,andfindsvindictivegamblerRockyStansyckafterhim.Attheendofhistether,hestumblesontoaluckychancetoassumeanimpenetrablenewidentityaspsychiatristVictorBartok.ButironypilesonasMullerfindsit'soutofthefryingpan,intothefireeee

　　TwohaplessfreighthandlersfindthemselvesencounteringDracula,theFrankensteinMonsterandtheWolfMan.@www.molikan.com

　　博兰顿（约翰•达尔JohnDall饰）和菲利普（法利•格兰杰FarleyGranger饰）都是哈佛的高才生，一天，都是同性恋的两人合谋杀害了同学戴维，并藏尸于一个大箱子中。或许是出于炫耀，他们做出了一个惊人的举动。那就是用装着戴维尸体的箱子当餐桌，邀请了戴维的父母、未婚妻、同学和茹伯特教授（詹姆斯•斯图尔特JamesStewart饰）来赴宴。他们谎称戴维外出了，和客人们在戴维的“棺材”上进行着宴会。胆小的菲利普从宴会开始就开始坐立不安，但是博兰顿却不慌不忙，在客人中滔滔不绝。然而，聪明的茹伯特教授从博兰顿的谈话中渐渐察觉出事有蹊跷…eee

　　《璇宫艳舞》描写第一次世界大战前一名美国商人到维也纳推销留声机却意外爱上一名女伯爵，这看似不可思议的爱情，引发了无数的引人发笑的故事…ccc

　　将军麦克白（奥逊·威尔斯OrsonWelles饰）跟随国王邓肯（ErskineSanford饰）南征北战，是后者最信赖的所在。某日，麦克白又赢得了一场战争，在归国的途中遇见了三个女巫，女巫们预言麦克白即将进官加爵，甚至可以带上王冠继承王位。然而，麦克白的继位者却并非他的孩子，而是他的好友班柯将军（EdgarBarrier饰）的儿子ccc
　　这一预言在麦克白的内心里蒙上了阴影，在妻子麦克白夫人（JeanetteNolan饰）的怂恿之下，麦克白杀死了邓肯，将罪责家伙在两个守卫的身上。之后，他又将班柯和麦克德夫夫人（PeggyWebber饰）一一杀害。在此过程中，双手沾满鲜血的麦克白，他的精神也濒临着崩溃的边缘。

　　刻板的国会女议员非比·弗斯特（琪恩·阿瑟饰演）发现一位美国军官和一个柏林美女关系甚密（玛琳·黛德丽饰演），局势便骤然紧张起来eee

　　克拉克．盖博饰演的凯西司令官，为阻挠破坏德国研制一种新式飞机，不顾国会一些议员反对，准备对德国秘密研制基地进行攻击。他知道为了打赢此次大战，必须派手下的军队对德军进行一次自杀式的攻击，他应该如何决定？本片改编自战后的卖座舞台剧，对战争中的政治动作内幕提出相当深刻的自省。萨姆．伍德的导演手法紧凑有力，掌握住对白的戏剧张力却不会使场面流于呆板的舞台化，加上一群演技精湛的男星卖力演出，娱乐效果相当高ccc
　　GeneralDennisoftheUSForceinEnglandinWorldWarIIfindsthathemustorderhisplanesdeeperanddeeperintoGermanytopreventtheproductionofmilitaryjetplanesthatwillturnthetideofbattletotheGermans.Hemustfightcongressmen,andhisownchainofcommandtowinthepoliticalbattlebeforehecansendhisplanesout.Hisproblemiscomplicatedbyaverynarrowwindowofgoodweathernecessarytoallowhisefforttobesuccessful.Adaptedfromastageplay,itattemptstolookatthechallengesofcommandinthepoliticalarena.

　　波利特（尼内-克里斯汀·约恩松Nine-ChristineJönsson饰）是一个年轻的女人，长久以来，她都生活在抑郁的情绪之中，并且有着很强烈的自杀倾向，这一切和波利特所拥有的的非常不幸福的童年有着分不开的关系。波利特和母亲之间的关系非常的糟糕，最近，她找到了一份工作，这令她感到开心，可是如此一来，她就无法再住在学校的宿舍里，这也就意味着，波利特必须重新和母亲住到一起去ddd
　　朝夕相处很快就将母女两人之间隐藏至深的矛盾给激发了，与此同时，波利特邂逅了一个名叫格艾斯塔（本特·埃克隆德BengtEklund饰）的男人，这个男人能否成为波利特的救命稻草呢？

　　Synopsiccc
　　"Falselyaccusedasthemurdererofmyownhusband...Oh,thecruelmachinationsoffate!"Afemaleteacher(LeeYong-ae)givessheltertoanescapedconvict,butherhusband,misconstruingherintentions,reactsviolentlyandaccidentallystabshimselftodeathintheprocess.Theteacherischargedwithherhusband'smurder,butfortunatelytheprosecutoronthecaseisaformerstudentofhers,ofwhomshehadtakenpainstakingcarewhenshewasworkingatanelementaryschool.Rememberingherkindnesstohim,theprosecutoruncoversherinnocenceincourt,andsheisacquittedofthecrime.
　　Notes
　　"Asilentmoviethatallowsustoexaminethenarrator-accompaniedmethodof16mmfilms"(ChungJong-wha)
　　APublicProsecutorandaTeacherisfamiliartousfortheperformanceofShinChool,Korea'slastsilentmovienarrator(knownas"byeonsa"inKorean).Numerouscriticshaverecommendedthefilm,praisingitas"asilentmoviethatallowsustoexaminethenarrator-accompaniedmethodof16mmfilms"(ChungJong-wha),"theworkofKorea'slastsilentmovienarrator"(KimHong-joon),amoviethat"reflectsthepublic'sconsciousnessandhasgreathistoricalvalue"(LeeSeung-hun),and"thearchetypalnew-schoolfilm"(ChungSung-il).Asevidencedbysuchcommentary,APublicProsecutorandaTeacherenjoysgreaterrecognitionforitshistoricalvalueastheonlysurvivingsilentmovieinKoreathanforitsartisticortechnicalaspects.Whatisironicisthefactthatthisrecognitionderivesfromaproductionandscreeningmethodthatfellbehindthetimes,assoundfilms(or"talkies")hadalreadybecomethenormwhenthemoviewasfirstmade.Itsinclusioninthelististhereforebasedonitshistorical,socialcontextratherthanonthefilmitself.
　　Afterword:
　　-NarratedbyShinChool,whoisknownasKorea'slastsilentfilmnarrator,APublicProsecutorandaTeacherhasbeenscreenedatseveralfilmfestivalssincethelatterhalfofthe1990s.

　　哈里（罗伯特·杨RobertYoung饰）同妻子与三个孩子居住在风景宜人的郊区，繁忙的工作让他无暇照顾孩子们，面对三个整天调皮捣蛋的臭小子，哈里的妻子亦感到力不从心，请一位能够帮忙又不会添麻烦的保姆似乎成为了哈里唯一的选择，就这样，一个名叫贝尔维德尔（玛琳·奥哈拉MaureenO'Hara饰）的女人成为了保姆的最终人选bbb
　　直到贝尔维德尔入驻哈里的家中之后，哈里才发现，这个表面看来温柔贤惠的女人其实是一个怪人，但是，神奇的是，她用不知道是哪门子的怪招，竟然将哈里的三个儿子给管教得服服帖帖，这让哈里不得不服。随着时间的推移，外界开始有了一些关于贝尔维德尔的不堪传言，这些传言究竟是不是真的呢？

　　一位乐团指挥，怀疑自己的妻子和男秘书有染，将愤怒和失落融进了自己的指挥bbb

　　Ashipcarryingabandofblack-marketeers,includingabeautifulwoman,eludespoliceafterabattleatseaandlandsonaremoteislandwhereamarinemeteorologicalobservatoryisstationed.Theytakeovertheobservatorybuttragedyensuesasaviolenttyphoonapproachestheislandbbb

　　WhenphonystagementalistTritonmysteriouslyacquiressupernaturalpowersofprecognition,hebecomesfrightenedandabandonshisacttoliveofanonymityccc